Antonio Lopez 1970: Sex Fashion & Disco

Written, produced and directed by Crump, this documentary film concerns Antonio Lopez (1943-1987), the dominant fashion illustrator in 1970s Paris and New York, and his colorful and sometimes outrageous milieu. In addition to Lopez, Antonio Lopez 1970: Sex Fashion & Disco features Jessica Lange, Jerry Hall, Grace Jones, Grace Coddington, Bob Colacello, Patti D’Arbanville, Karl Lagerfeld, Juan Ramos, Bill Cunningham, Jane Forth, Yves Saint Laurent, Donna Jordan, Paul Caranicas, Joan Juliet Buck, Corey Tippin and Michael Chow among others. Sex Fashion & Disco releases in September 2018.

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Troublemakers The Film

Troublemakers unearths the history of land art in the tumultuous late 1960s and early 1970s. The film features a cadre of renegade New York artists that sought to transcend the limitations of painting and sculpture by producing earthworks on a monumental scale in the desolate desert spaces of the American southwest. Today these works remain impressive not only for the sheer audacity of their makers but also for their out-sized ambitions to break free from traditional norms. The film casts these artists in a heroic light, which is exactly how they saw themselves. Iconoclasts who changed the landscape of art forever, these revolutionary, antagonistic creatives risked their careers on radical artistic change and experimentation, and took on the establishment to produce art on their own terms. The film includes rare footage and interviews which unveil the enigmatic lives and careers of storied artists Robert Smithson (Spiral Jetty), Walter De Maria (The Lightning Field) and Michael Heizer (Double Negative); a headstrong troika that established the genre. As the film makes clear, in making works that can never be possessed as an object in a gallery, these troublemakers stand in marked contrast to the hyper-speculative contemporary art world of today.

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Black White + Gray

Written, produced and directed by James Crump, Black White + Gray meditates on Sam Wagstaff’s life journey and his transformation through shared passion and experience with Robert Mapplethorpe. It shows how Wagstaff found his role as a collector of photography and through Mapplethorpe was enabled to visit and unlock parts of his true self. It likewise gives new dimension to Mapplethorpe and his role inspiring Wagstaff in his early collecting of photographs. The film demonstrates the symbiotic bond that grew out of a chance encounter in 1972 and how the work of both men continues to resonate today. When Wagstaff and Mapplethorpe made their first discoveries and triumphs in the medium, photography didn’t enjoy its present status nor the hyperbolic values now being realized at auction. They would be amused by their influence, which continues to play itself out in the art world.

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